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.
Match Point
If you want to bring elegance to the
peddling of adulterous characters, you
go to the UK. Then, if you want those
characters to grapple with the
moralities of such infidelities with a
ripple of intellectual competence, you
go to Woody Allen, and he is truly in
exceptional form here.
The story rotates around a former tennis
pro named Chris Wilton (Jonathan Rhys
Meyers) who has just taken a position at
an fashionable club for London's
famously affluent elite. Chris soon
meets Tom (Matthew Goode) and they
strike up a companionship, through not
only their love for tennis but also
their love of opera. Tom introduces
Chris to his sister Chloe (Emily
Mortimer) who instantly falls for Chris.
Chris and Chloe start dating and
everything is going great until Chris
meets up with Tom's fiancée Nola (Scarlett
Johansson). From here, Of course,
infidelity is just around the corner as
Chris’s fixation with Nola takes him
down a dangerous path of deception and
passion and into a very serious dilemma
than will ultimately make or break him.
Jonathan Rhys-Meyers is fascinating as
the soft-spoken Chris, whose role as the
central character takes some less than
savory twists as he digs himself deeper
into a whole clutter of lies and
deceptions. As such, Chris is far from
agreeable, but Jonathan Rhys-Meyers has
such a firm handle on his complicatedly
written character that he is worth
following and getting involved with
throughout the two-hour-plus running
time. In addition, Scarlett Johansson
performance is superb as she continues
her graceful climb to the top of today's
celebrated young actress register. One
is not quite sure what Nola’s objectives
are but she is written and acted with
understanding, sincerity and
unanticipated dimensions.
This film also includes several fresh
variations on a typical Woody Allen
film, most strikingly was the decision
of shooting the film entirely in Britain
and not his beloved Manhattan (The film
is almost worth the price of admission
just to see the shots of London that are
luxuriant, spacious and never
self-indulgent.) However, that stated,
it does contain some numerous highly
amusing moments that are typical of his
humour and touches like the scratchy old
opera record, which is frequently played
in the background, is one of many
characteristic that constantly remind
you that you are watching a Woody Allen
film.
Allen has managed to put together a
superb cast of young actors who bring
his near flawless script to life so
convincingly that one almost immediately
suspends disbelief and becomes absorbed
in the story. Match Point is a cool,
classically elegant and concise film
that addresses all of the big questions
- love, morality, death, fate, chance -
without ever seeming heavy or
self-conscious. Few films manage to form
such rich dramatic material out of
character's inner obstacles. This is not
only Allen at his best but an example of
what the cinematic medium is capable of
when properly exploited.
.
Paul Elliott
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